Sunday, January 16, 2011

Nelly Furtado - Folklore

 Being a Canadian growing up in the 1990's and 2000's, it was hard to avoid Nelly. I enjoyed her early singles, but not enough to go out and buy an album. It was essentially just radio-pop. When she released "Loose", I began to dislike her, as I perceived it to simply be a cash cow with no soul, and as such was driven even further from her music.

 One day I was feeling particularly nostalgic and her early releases sprang to mind. So with memories of the video for "Powerless" playing on Much Music, I gave "Folklore" a spin.

 It was well worth it.

 This is an exceptional folk/pop album, especially when you consider Nelly was in her early twenties while writing it. The influence of her parents' experiences in Canada as immigrants bursts from the seams and dyes everything you hear. The songs all tie together very well; nothing feels out of place, even with the mixing of acoustic guitars, banjos, and electronic music. It creates a perfect sense of mixing worlds, a strong heritage maintained in a quickly advancing and sometimes alien world.

 There are some elements which at first are a little strange, even grating, but after repeated listens they simply fall into the collage of sounds in a way that only Nelly could get away with, most notably the "ding ding ding" scatting  in "Fresh Off the Boat". Her voice isn't always 100% "pleasing" to listen to, but it's certainly a voice with character and individuality, and I would rather have that than something generic that's easier to listen to. Make no mistake, by no means is her voice harsh, and her delivery of the lyrics, especially in Portuguese, is quite brilliant.

 This is an album that words simply cannot describe. "Heritage", "Culture", "Strength", and "Pride" are as close as it gets.

 If there were any main singular fault with this album, it would be that it feels very homogeneous despite the mixing of worlds in the music. It's hard to tell whether heavier experimentation and diversity would allow the songs to keep the overall themes intact. It could have made for a more "interesting" album, but what's here is satisfying enough, and the tight-knit feel of the songs creates a sense of familiarity and warmth, almost comfort, even if the themes present in the music aren't necessarily a universal experience.

 The similar vibes throughout do allow for an easier summation of the album compared to most, but as a whole, it's still worth a listen, as each track still feature their own unique perks that would otherwise be missed. One particular track to highlight, however is "Força". The music is beautiful, sad yet powerful, with a tasteful banjo accompaniment by Béla Fleck, and the sense of strength and unity filling the song make it easy to see how it was chosen as the anthem for the 2004 European Football Championship, the perfect theme for tens of thousands of proud Portuguese to sing at the top of their lungs.


 "Folklore" is certainly an inspired album. Though it never seems to stray too far from its own established territory, there are few albums that compare to its depth of overall character without any sort of cohesive or overbearing narrative, theme, or concept, and the music generally stays intriguing and enjoyable throughout.



Begynnelsen av Slutten

 A good friend recently decided to start voicing his opinion through this very medium, a thing many of us wish to do, but choose not, because we either feel our opinions either do not carry enough weight to be important, or we  simply think that we'll just become another annoying voice clogging up the pipes of the internet. Though both have the potential to be proven true, for now I'll stick with the headstrong attitude of aforementioned friend and say "fuck it." Like all works throughout the ages, across cultures, paradigms, and general beliefs, not a single person may read these words or subscribe to my predilections, but regardless, I will print them nonetheless for my own self-satisfaction, because the subjects are at least important enough to me.

 For a little background information, I am a Canadian writer, musician, and music enthusiast. This blog will mainly serve as a catalyst for my opinions on music, hopefully shedding some light on artists and albums that not everyone has had the fortune (or misfortune) to have heard. Some of my suggestions and reviews will be well known to many people across the world, others not so much, and as such, not everyone will see things in the same light as myself, so I offer a caveat; this is not a guide to what is right and wrong in the world of music, this is simply a tool to help others. No one has the absolute rule over music excellence, though there are certain cases where the majority are very much inclined to reach a quick consensus. Either way, I will present works how I view them. If you happen to read this blog and feel passionately one way or another about what I have said, by all means, you're free to support or refute my reviews.

 Being a writer, I may also occasionally cover particularly inspired prose I come across, and if I feel it's of quality, may even post some of my own.

 Going with this theme, I immediately encourage you to visit my friend's blog, as he's a passionate connoisseur of cinema, and may turn your head towards some brilliant works (or turn you away from some absolute garbage).
http://stuffyoumightfindinteresting.blogspot.com/

 A little more background information, this blog will have essentially no limits in terms of genre boundaries. Though I'm a die-hard metalhead, my tastes stretch quite far, so don't be surprised to see black metal, synth pop, jazz, folk, world, R&B, country etc., even within the same posting depending on how eclectic the release is. For a taste of the music I like to make, check out http://www.myspace.com/kvltmart .

 So without further adieu, I give you Kvlt-Mart's "Übermäßig Musikk och Goda Tider Blogg".